符号意义的时代性延展与设计美学的融合——基于符号学的蒙古族装饰纹样研究及设计应用

The Extension of Symbolic Meaning in the Era with the Integration of Design Aesthetics—Research and Design Application of Mongolian Decorative Patterns Based on Semiotics

摘要: 符号学源自于语言学，是设计领域不可或缺的跨领域学科理论。符号的生产是诠释一种精神的过程，是人们遵循事物的本质与规律来呈现自己的思想意识和生活经验的一种方式、过程与结果。本文以蒙古族装饰纹样为研究对象，从符号学的研究分析引入，总结蒙古族装饰纹样的符号学表现并深入论述蒙古族装饰纹样视觉符号在现代语境中的应用研究，在更鲜活的民俗文化视域的设计应用，从而对当今民族文化的传承创新提供借鉴。

Abstract: Semiotics originates from linguistics and is an indispensable interdisciplinary theory in the field of design. The production of symbols is a process of interpreting a spirit. It is a way, process and result for people to present their thoughts and life experiences in accordance with the essence and laws of things. This paper takes Mongolian decorative patterns as the research object, introduces the research and analysis of semiotics, summarizes the semiotic expression of Mongolian decorative patterns, and discusses in depth the application research of Mongolian decorative pattern visual symbols in the modern context, and the design application in a more vivid folk culture perspective, so as to provide reference for the inheritance and innovation of today’s national culture.